Output |
Year |
|
Future Art Ecosystems 4: Art x Public AI → a strategic briefing on public interest AI in the cultural sector |
2024 |
|
Dmstfctn ft. Evita Manji: Waluigi’s Purgatory → a real-time simulated multi-agent performance |
2024 |
|
GODMODE → a game for synthetic data training |
2023 |
|
ISCRI → AI for interspecies engagement |
2023 |
|
Hivemind → a game for exploring the back-end environments of art-making |
2023 |
|
R&D Labyrinths → artist-made AI interfaces |
2023 |
|
HUO9000 → a unique LLM trained on Hans Ulrich’s interview archive |
2023 |
|
Creative AI: Theory and Practice at KCL Symposium |
2022 |
|
GODMODE (EP.1) |
2022 |
|
Libby Heaney plays Hivemind |
2022 |
|
We Can’t Do This Alone with Danielle Brathwaite-Shirley |
2022 |
|
Tactical Entanglements with Martin Zeilinger |
2021 |
|
003: Aesthetics of AI Entanglements reader |
2021 |
|
A Cephalopod ↔ Machine Encounter with 0rphan Drift |
2021 |
|
Everything I say Is True: Poetic Bibliography by KITE |
2021 |
|
The Interfaces of AI Art Practices panel discussion |
2020 |
|
002: Aesthetics of AI Interfaces reader |
2020 |
|
Aesthetics of New AI panel discussion |
2020 |
|
001: Aesthetics of New AI reader |
2020 |
|
Luba Elliot on the Emergence of the Creative AI Field |
2020 |
|
The Umbra of an Imago: Writing Under the Control of Machine Learning by Allison Parish |
2019 |
|